On a conceptual level, Sabroe Ebbesen frequently places identity and the subconscious at the core of her practice, centring the study of psyche and senses in many of her works. This is evident in a range of subjects, from smashed faces and still life to contorted naked bodies, self-portraits, and video pieces. Her fascination with the creation of new, unexpected forms from bodies and reality, in general, stems, once again, from her scientific background, as she emphasises: ‘I have always been fascinated by science in general, and I love to play with the idea of manipulating the physical rules of this world. Mathematical structures, physical laws, plants, and so many other things from the natural world are so fascinating that they can seem unreal.’
Henriette Sabroe Ebbesen has exhibited her works both in the United States and Europe. She has participated in many exhibitions, such as Kunstnernes Efterårsudstilling 2016, PhotoVogue Festival 2017, and Portrait Now! 2019 and has been profiled on Arte TV.
Sabroe Ebbesen’s works have been exhibited in many places in both the United States and Europe. She also has worked for magazines like Vanity Fair Italia, Vogue Italia, Australia, Greece and Scandinavia, and Le Petit Voyeur.
“Beyond Henriette’s unique photographic prints, we also have been fortunate to work with her to create spatial installations with ethereal fabrics and projections on both the floors and walls. These allow visitors to become a part of the room, where they experience the forward march of spring. We are thrilled to be able to produce this exhibition together with Henriette, one of the brightest stars among young Nordic photographers,” says Mohamed Mire, curator of Fotografiska Stockholm.
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